UNFIXED LANDSCAPES: Wounded Systems 未竟之境：傷痕下的系統

安德里亞．阿爾卡萊
Andrea Alkalay

臺灣在遷徙與殖民的歷史交織下，成為全球數位經濟的核心。我透過地景、水文與領土的演變，在微觀尺度中探討這些複雜的張力。

我的創作基地是一座轉型為後工業遺址的廢棄糖廠。這裡的地景疊合了層層生態與歷史——從灌溉溝渠到海岸濕地。採用無相機攝影術（Cameraless process），採集野草、甘蔗與植物根系等在地媒材，並以鹽田或灌溉系統的廢水沖洗影像。由於環境媒介的不穩定性，影像至今仍持續變幻。透過拓印捕捉質地，使用香爐殘餘的木炭創作，並以編織根系作為一種儀式，將媒材視為共同創作的夥伴。

從根系、水系到基礎建設的俯瞰視角，令我聯想到微晶片的「晶圓電路圖」（die shots），兩者揭示了相似的迴路與流動結構。

在這裡，自然、工業與科技相互交匯：這些系統共享著相同的邏輯。這是一個處於永恆變遷中的世界——雖不穩定且帶著傷痕，卻又緊密相連。

Youtube駐村紀錄影片 1分
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Taiwan, shaped by migrations and colonization, plays a key role in the global digital economy. I explore these tensions at an intimate scale through landscape, water, and territory adaptation.
Working from a former sugar factory, now transformed into a post-industrial site, I engage a landscape marked by overlapping ecological and historical layers, from irrigation channels to coastal wetlands.
Using cameraless processes, I work with site-specific materials—wild flora, sugarcane, roots—and wash the images with water from salt flats or irrigation systems, often contaminated. The images remain unstable as the environment continues to act on them. I transfer textures through frottage, work with charcoal from incense kilns, weave roots as a ritual gesture, treating material as an active collaborator.

Aerial views of roots, water systems, and infrastructures recall the “die shots” of microchips, revealing shared structures of circuits and flows.
Here I see an intersection of nature, industry, and technology: systems sharing a common logic. A world in constant transformation—unstable and wounded, yet deeply connected.

地址： 台南市佳里區六安里六安130號

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